Back at it.
***
Page 30, Paragraph 6:
She says, "How did you see the bridge in the dark?", and I reply by telling her about how I came here to take a piss, after which I went back to the pigpen. She looks at me as if she's thinking about this and smiles. "Come on," she says, "so we can stand on the river bridge."
Paragraph 7:
We walk the whole length of the path, and the river bridge gets bigger as we get closer to it; it's so big that I can't imagine how many trees had to fall to make it. Here by the edge of the bridge, there's a ramp that comes up to it to make the end of bridge higher than the river's edge. The girl lies down on her belly on the ramp up to the bridge, her nose pushed up to the black logs to look between them. Her clothes cling to her ass and show its shapeliness - it makes me think about lifting them up and looking at her, but ah, I'm not going to do it. "Come here," she says, "and look between the logs."
Page 31, Paragraph 1:
I lie down by her on the bridge and look where she tells me to, through the black logs into the darkness beneath them. For a little while I don't see anything, only darkness, but now I can see better, and I see a thin, white shape lying still in the dark. I can't tell if it's a man or a woman, but I can tell it's become nothing but bones and dried-up skin. Its clothes are holey all over, yet there's no hair on the skull, as if it was torn from them. Their eye-sockets look like they're staring at us, and set in its jaw is its teeth, smiling at me.
Showing posts with label page 30. Show all posts
Showing posts with label page 30. Show all posts
Wednesday, October 7, 2009
Wednesday, September 30, 2009
Page 30, Paragraphs 3 - 5
Page 30, Paragraph 3:
"What did Hob's son think about this?" I say. She moves her neck and arms, to show she doesn't know. She says, "It doesn't matter what Hob's son thinks about it - there's no good in it for him. If he runs away from the village he won't have anything to eat, and won't survive very long. If he doesn't run, Hob will kill him. Hob's son may do one thing or the other, but neither one nor the other is good for him."
Paragraph 4:
She puts up her arms to stretch her back. Her little breasts push their shape against her clothing. Now she stands up and says to me, "Come on, so we can walk farther along the river's edge." She puts out her hand to pull me up so that I'm standing. Her hand is sweaty.
Paragraph 5:
We walk by the river now and say nothing; we walk through a hill of dead leaves that comes up to our knees, and by walking through them scatter them everywhere. We walk underneath the trees, where we see the bridge aways off. The bridge looks bigger in the sunlight than it did in the dark - I tell the girl this. She stops, and turns to look at me.
"What did Hob's son think about this?" I say. She moves her neck and arms, to show she doesn't know. She says, "It doesn't matter what Hob's son thinks about it - there's no good in it for him. If he runs away from the village he won't have anything to eat, and won't survive very long. If he doesn't run, Hob will kill him. Hob's son may do one thing or the other, but neither one nor the other is good for him."
Paragraph 4:
She puts up her arms to stretch her back. Her little breasts push their shape against her clothing. Now she stands up and says to me, "Come on, so we can walk farther along the river's edge." She puts out her hand to pull me up so that I'm standing. Her hand is sweaty.
Paragraph 5:
We walk by the river now and say nothing; we walk through a hill of dead leaves that comes up to our knees, and by walking through them scatter them everywhere. We walk underneath the trees, where we see the bridge aways off. The bridge looks bigger in the sunlight than it did in the dark - I tell the girl this. She stops, and turns to look at me.
Tuesday, September 29, 2009
Page 29, Paragraph 6 - 8; Page 30, Paragraphs 1 and 2; Notes
In which we get TMI regarding our narrator's snacking habits.
***
Page 29, Paragraph 6:
Across the water a bunch of ducks rise up loudly and fly aways off above the wetness and the water, in the direction of the valley's edge. A caterpillar falls on my foot - the furry kind. I pick it up between my fingers now and pull, so that I tear it to pieces, and I play with it for a long time like this, and lick it* from my hand. The girl turns away from the river now to look at me. "It's the nomadic people that put their sons to the axe," she says.
Paragraph 7:
"No," I say. "Beasts and birds don't either, unless they're crazy. I've never heard anything as frightening or strange as this before. Why, I can't think of anything worse than putting children to the axe." I go on like this, and [then] say, "Didn't Hob like** his son? Otherwise, how could he do that to him?"
Paragraph 8:
"That isn't it," says the girl. "That isn't it at all. Hob loves and wants his son more than a man loves and wants his mate. More than the fire loves the dry tree. He doesn't want to kill his son."
Page 30, Paragraph 1:
I say, "But Hob can say 'no' to this, and say he's not going to kill his son, because his in charge of a lot of people."
Paragraph 2:
"People want the path," she says. "People want skins and meats, and the good times that having the path come by them will bring. The settlers have gotten food and clothing and so forth for Hob for a long time, and now they want him to make a path for them, as is their due. If he doesn't kill his son and make the path right, he won't be in charge of them anymore. If he doesn't do right by them, why, they'll want to make him and his son go away from here. Cast them out, and make them forage, which might be the death of them."
*The caterpillar goo, presumably
**I think our narrator uses the same word for "like" and "love"
***
Page 29, Paragraph 6:
Across the water a bunch of ducks rise up loudly and fly aways off above the wetness and the water, in the direction of the valley's edge. A caterpillar falls on my foot - the furry kind. I pick it up between my fingers now and pull, so that I tear it to pieces, and I play with it for a long time like this, and lick it* from my hand. The girl turns away from the river now to look at me. "It's the nomadic people that put their sons to the axe," she says.
Paragraph 7:
"No," I say. "Beasts and birds don't either, unless they're crazy. I've never heard anything as frightening or strange as this before. Why, I can't think of anything worse than putting children to the axe." I go on like this, and [then] say, "Didn't Hob like** his son? Otherwise, how could he do that to him?"
Paragraph 8:
"That isn't it," says the girl. "That isn't it at all. Hob loves and wants his son more than a man loves and wants his mate. More than the fire loves the dry tree. He doesn't want to kill his son."
Page 30, Paragraph 1:
I say, "But Hob can say 'no' to this, and say he's not going to kill his son, because his in charge of a lot of people."
Paragraph 2:
"People want the path," she says. "People want skins and meats, and the good times that having the path come by them will bring. The settlers have gotten food and clothing and so forth for Hob for a long time, and now they want him to make a path for them, as is their due. If he doesn't kill his son and make the path right, he won't be in charge of them anymore. If he doesn't do right by them, why, they'll want to make him and his son go away from here. Cast them out, and make them forage, which might be the death of them."
*The caterpillar goo, presumably
**I think our narrator uses the same word for "like" and "love"
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